This episode my guest is Distribution Executive Laura Taylor-Williams. Having worked in international sales and distribution for over 15 years, Laura’s worked for a number of high profile companies such as Warner Brothers, NBC Universal and Aardman. We discuss how best to prepare your film for sales and distribution agents, the myriad of ways to sell your documentaries online, and the benefits of planning your sales strategy from the outset.

This episode my guest is Claire Vaughan, Cinema Programme Manager at Chapter Arts Centre in Cardiff. Since her appointment to the role in 2018, Claire has been responsible for curating Chapter’s eclectic array of both art house and mainstream films. An avid film fan with an encyclopedic knowledge of all things cinema related, Claire has been a long time champion of documentary talent, not just on her home turf but across the UK. We discuss the ever growing presence of feature docs in cinema and online, the ins and outs of self-distribution, and the importance of great marketing.

This episode, our featured guest is editor Alice Powell. Since graduating from the National Film & Television School in 2007, Alice has cut a long list of high-profile feature documentaries, and her films have screened at Sheffield Docfest, South by SouthWest, Hot Docs, the Berlin International Film Festival and the Tribeca Film Festival. Alice likes to collaborate with producers and directors to tell stories with integrity and a delicate human touch. Alice and I discuss her unusual pathway into the industry, how she handles hundreds of hours’ worth of footage, and last but not least the ethics of editing.

This episode, our featured guest is the award winning producer Catryn Ramasut. Co-founder of Cardiff based company ie ie Productions, Catryn’s first film, Separado, picked up CPH:Dox’s Sound and Vision Award in 2010, whilst her second film, American Interior went on to win the Best Music Documentary Award in 2015 at Barcelona’s In-Edit Festival. In 2017, her third feature Queerama premiered at the Sheffield Docfest and told the story of an extraordinary century of gay experiences, whilst her forth feature, Rockfield: The Studio on the Farm picked up a Grierson Nomination for Best Music Documentary. Catryn and I discuss her approach to producing films, the challenges she’s navigated during her feature doc career, and the necessary qualities you need to cultivate to become a successful documentary film producer.

My guest today is filmmaker Jay Bedwani. Specialising in character led documentaries, Jay’s first film, My Mother, was awarded Best UK Short at the Iris Prize Film Festival, whilst his second film, Stretch went on to win the Best Short Documentary Award at the Wales International Documentary Festival. In July 2022 Jay’s first feature documentary Donna premiered at the Castro Theatre in San Francisco as part of the Frameline Film Festival and showcased legendary trans activist and lip-sync performer Donna Personna as she embraces all that life has to offer in her twilight years. Driven by a desire to capture the nuance of human relationships, Jay often focuses on exploring stories concerning the LGBTQ+ community. Jay and I discuss the inspiration behind his films, as well as the challenges that arise when you endeavour to capture complex, unfolding narratives on camera.